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	<title>Comments on: Photocast Network Roundtable Discussion #2</title>
	<atom:link href="http://www.cameraposition.com/archives/76/feed" rel="self" type="application/rss+xml" />
	<link>http://www.cameraposition.com/archives/76</link>
	<description>Photography podcasts that deal with the why of photography over the how and discuss the essential qualities of the medium from the point of view of the creative photographer.</description>
	<pubDate>Tue, 06 Jan 2009 02:01:57 +0000</pubDate>
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		<title>By: RaymonWazerri</title>
		<link>http://www.cameraposition.com/archives/76/comment-page-1#comment-565</link>
		<dc:creator>RaymonWazerri</dc:creator>
		<pubDate>Fri, 20 Apr 2007 23:20:33 +0000</pubDate>
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		<description>Hey, 
I love what you'e doing! 
Don't ever change and best of luck. 
 
Raymon W.</description>
		<content:encoded><![CDATA[<p>Hey,<br />
I love what you&#8217;e doing!<br />
Don&#8217;t ever change and best of luck. </p>
<p>Raymon W.</p>
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		<title>By: Jeff Curto</title>
		<link>http://www.cameraposition.com/archives/76/comment-page-1#comment-305</link>
		<dc:creator>Jeff Curto</dc:creator>
		<pubDate>Tue, 06 Feb 2007 12:10:08 +0000</pubDate>
		<guid isPermaLink="false">http://www.cameraposition.com/archives/76#comment-305</guid>
		<description>Thanks for the feedback, Adam... I'll send that on to the group. I agree that it feels more like a "roundtable" when we are able to interject, etc.

-Jeff</description>
		<content:encoded><![CDATA[<p>Thanks for the feedback, Adam&#8230; I&#8217;ll send that on to the group. I agree that it feels more like a &#8220;roundtable&#8221; when we are able to interject, etc.</p>
<p>-Jeff</p>
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		<title>By: Adam</title>
		<link>http://www.cameraposition.com/archives/76/comment-page-1#comment-304</link>
		<dc:creator>Adam</dc:creator>
		<pubDate>Tue, 06 Feb 2007 11:47:57 +0000</pubDate>
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		<description>The parts that I think are great are when everyone has something to say on a topic and you have a dialog. The parts where someone just gives a monolog seem out of place in this format.
To this end talking more on non-technical subjects would be great in future, as these are the ones where everyone has something to say.</description>
		<content:encoded><![CDATA[<p>The parts that I think are great are when everyone has something to say on a topic and you have a dialog. The parts where someone just gives a monolog seem out of place in this format.<br />
To this end talking more on non-technical subjects would be great in future, as these are the ones where everyone has something to say.</p>
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		<title>By: Gerry Allen</title>
		<link>http://www.cameraposition.com/archives/76/comment-page-1#comment-225</link>
		<dc:creator>Gerry Allen</dc:creator>
		<pubDate>Fri, 02 Feb 2007 14:07:28 +0000</pubDate>
		<guid isPermaLink="false">http://www.cameraposition.com/archives/76#comment-225</guid>
		<description>Jeff,
I have not yet listened to the 2nd roundtable yet, ( my suggestion for a name would be something todo with knights - the photoknights podcat or something like that) I listened to the first episode which I thoroughly enjoyed. I liked the mixture of the creative and technical. So I look forward to many more roundtables.</description>
		<content:encoded><![CDATA[<p>Jeff,<br />
I have not yet listened to the 2nd roundtable yet, ( my suggestion for a name would be something todo with knights - the photoknights podcat or something like that) I listened to the first episode which I thoroughly enjoyed. I liked the mixture of the creative and technical. So I look forward to many more roundtables.</p>
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		<title>By: Jeff Curto</title>
		<link>http://www.cameraposition.com/archives/76/comment-page-1#comment-220</link>
		<dc:creator>Jeff Curto</dc:creator>
		<pubDate>Fri, 02 Feb 2007 05:40:51 +0000</pubDate>
		<guid isPermaLink="false">http://www.cameraposition.com/archives/76#comment-220</guid>
		<description>Actually, it's not quite that. I couldn't come up with it off the top of my head while we were chatting during the recording session.  I'll be clear up front that I'm not a "math guy" (that's why I'm a photographer!) but here's the skinny:

Photographic exposure is a logarithmic situation. This is another way of saying that exposure functions in an exponential fashion, not a linear one. So, when we move from one aperture to the next larger one, we double the amount of light. Moving one more aperture larger doesn't make 4 times the amount of exposure than the first situation; rather it makes 8 times the amount of exposure. This ratio continues on up (or down) the scale.

So, since light is being handled in an exponential way, we end up with a reflectance value of 18% being in the middle. Another way of saying it is that half of all the reflected light in the world is darker than 18% reflectance and the other half of all the reflected light in the world is lighter than 18% reflectance.

Kind of a neat story about Kodak, though... might help explain how they got into their current-day situation!</description>
		<content:encoded><![CDATA[<p>Actually, it&#8217;s not quite that. I couldn&#8217;t come up with it off the top of my head while we were chatting during the recording session.  I&#8217;ll be clear up front that I&#8217;m not a &#8220;math guy&#8221; (that&#8217;s why I&#8217;m a photographer!) but here&#8217;s the skinny:</p>
<p>Photographic exposure is a logarithmic situation. This is another way of saying that exposure functions in an exponential fashion, not a linear one. So, when we move from one aperture to the next larger one, we double the amount of light. Moving one more aperture larger doesn&#8217;t make 4 times the amount of exposure than the first situation; rather it makes 8 times the amount of exposure. This ratio continues on up (or down) the scale.</p>
<p>So, since light is being handled in an exponential way, we end up with a reflectance value of 18% being in the middle. Another way of saying it is that half of all the reflected light in the world is darker than 18% reflectance and the other half of all the reflected light in the world is lighter than 18% reflectance.</p>
<p>Kind of a neat story about Kodak, though&#8230; might help explain how they got into their current-day situation!</p>
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		<title>By: James Kellar</title>
		<link>http://www.cameraposition.com/archives/76/comment-page-1#comment-210</link>
		<dc:creator>James Kellar</dc:creator>
		<pubDate>Thu, 01 Feb 2007 15:45:50 +0000</pubDate>
		<guid isPermaLink="false">http://www.cameraposition.com/archives/76#comment-210</guid>
		<description>I was listening to the second roundtable and the question came up about how 18% gray was chosen as a standard. I heard many years that some folks at Kodak took over a thousand photographic prints cut them into small squares and then measured each of the squares and then averaged all the readings, and the average was 18%. Now I'm not sure if this is true, but knowing a bit about the history of Kodak it makes sense.</description>
		<content:encoded><![CDATA[<p>I was listening to the second roundtable and the question came up about how 18% gray was chosen as a standard. I heard many years that some folks at Kodak took over a thousand photographic prints cut them into small squares and then measured each of the squares and then averaged all the readings, and the average was 18%. Now I&#8217;m not sure if this is true, but knowing a bit about the history of Kodak it makes sense.</p>
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